OUT OF THE BEARDSPACE
In a psychedelic explosion of sound and color, Out of the Beardspace expresses its wide range of emotions. Sections of improvisation flow seamlessly in and out of compositions which fuse jazz, pop, funk, rock, and more into a Beardly Beast that will certainly move you.
Having met as teenagers at the School of Rock, members of Beardspace have been making music together in some form or another for many years. As School of Rock students, they had the opportunity to tour in the US and Europe, perform with Rock Stars like Jon Anderson (Yes) and Perry Farrell (Janes Addiction), and play at music festivals like Lollapalooza in Chicago and Zappanale in Germany.
Upon graduation, different musical projects emerged which eventually converged into one: Out of the Beardspace. Since their formation in 2011, Beardspace has made a name for themselves by sharing their unique sound with audiences up and down the East Coast. They have appeared at countless venues and festivals sharing bills with bands like Moon Hooch, Lettuce, Consider the Source, Eoto, and more. They are also becoming a pillar of the DIY festival scene with their own festival Beardfest.
The New Deal
With over 1400 legendary late nights, sold-out clubs and triumphant festivals under their belts, theNEWDEAL returned with a passion in 2016. “Quattro” -- along with recently released tracks “Mercury Switch” and “Sabotage the System,” offer a preview of the upcoming studio release which bassist Dan Kurtz describes as their “most creative” endeavor to date. “In the last few months we've been pushing ourselves to work with new sounds, new styles, new ways of arranging jams, and the stuff we've come up with has felt great and exciting to us as a result. We're listening back to the board tapes of all the shows and finding the parts, even if they're just a couple of seconds long, that sound the most inspiring and then building studio recordings around them. In some cases we'll glue a bit from one show in one city to another completely unrelated piece from another town, and create something we'd never have come up with in either just a live or just a studio setting.”
Keyboardist Jamie Shields agrees: “I think we've come up with a way to take the best from both the live and studio worlds and make something that's going to have the energy of a live show, but shaped in a way we could only do in the studio. theNEWDEAL has always been about development. When we’re performing on stage our goal is always to create a fresh musical idea and see in real-time how we can develop it - melodically, harmonically and structurally. Because we approach every show with an improvisational mindset, we know that every night brings a different concert, a different vibe and a different audience experience. Even with all those variables, it always ends up sounding like a New Deal show; exciting, driving and incredibly danceable!”
theNEWDEAL first began in Toronto in 1999, quickly gaining support from Toronto’s underground club scene as pioneers in electronica, recreating the DJ experience with live, improvised music. Soon the band brought their interpretation of Electro House, Trance, Breakbeat and Drum & Bass to the US, where they were embraced by the crowds at NYC’s Wetlands Preserve and cultivated a loyal following in the American jam scene.
Too Many Zooz
They honed their craft underground, bouncing their self-described "brasshouse" music off the tunnel walls of the New York City subway. But the scruffy trio Too Many Zooz isn't your usual bunch of buskers. Crackling with energy and frantically corralling jazz, EDM, Afrobeat, Afro-Cuban, and ska elements into its bursting-at-the seams sound, the band won a loyal following through busking in Union Square Station in 2014. Videos filmed by passers-by went viral, getting the attention of Beyoncé, who recruited the group to record with her on "Daddy Lessons" and "Formation" for last year's meteoric Lemonade. The trio also joined Queen Bey at last year's CMA Awards for a blistering performance of "Daddy Lessons" with the Dixie Chicks.
Anomalie (aka Nicolas Dupuis) is a classically trained and highly versatile keyboardist and producer based in the beautiful city of Montreal. Music has been in his blood since early age, leading to more than 17 years of experience studying classical and jazz piano performance. This led him to become the first person to be awarded the Yannick Nézet-Séguin (Philadelphia Orchestra, Orchestre Métropolitain, Rotterdams Philharmonisch) excellence grant in 2012.
Anomalie made his debut on Lowtemp with the single “Odyssée” in april of 2016, which simply put, is a perfect example of his style. Aside from that he is playing keyboard on Gramatik’s “Epigram” live tour, he just released his first official EP, “Métropole”. Safe to say Nicolas is only getting started.
The Main Squeeze
From their origins as a jam/party band in Indiana, The Main Squeeze, has been weaving the veins of Rock, Funk, Blues, and R&B into modern song stylings. Now LA-based and with three albums under their belt (last one being 2017’s Without A Sound), festival appearances from KABOO to Bonnaroo, and features from Billboard and Rolling Stone, they are of turning over a new sonic leaf this year.
The Main Squeeze released their newest single, “Fancy Clothes” on January 18th. Following in the wake of the release of “It Ain’t Me” last October, these two singles mark the start of something new and fresh for the Indiana-to-Chicago-to-Los Angeles transplants. The singles play up the modern dance-pop vibes of Bruno Mars and Charlie Puth - while channeling the swag, grit and soulful sounds of 70s bands like The Rolling Stones and Sly and the Family Stone. Produced by Teddy Roxpin “Fancy Clothes” is a tongue in cheek dance track that reflects the spotlighted LA culture in which The Main Squeeze lives. With a rich touring history including opening slots for The Roots, Jane’s Addiction, D.R.A.M., Mac Miller, Aloe Blacc, and Umphrey’s McGee, The Main Squeeze are launching into a new musical orbit with plans for a fourth LP in 2019.
NERVE evolved out of Jojo Mayer’s legendary party event Prohibited Beatz in NYC during the late 90′s. Initially a platform for experimental interaction between DJ’s, visual artists, musicians and the audience, the collective eventually developed into a fine tuned group that cross-pollinated the premeditated format of programmed electronic music styles with real time, improvised music performance. Within that format, the band assimilated a wide spectrum of electronic styles from old school Jungle, Dub Step and Glitch beats to Minimal and Tech House and anything that could escape the confines of genre. In the process, the group managed to acquaint a new audience with improvised music for the first time and ultimately bring the Jazz tradition of improvisation, innovation, driving rhythms and stylistic evolution to the digital age.
NERVE re-examines and transcends the relationship between human creativity and digital technology and has created a new form of musical expression which is completely unique in the world today. The aim is authentic 21st century music.
NERVE sounds like electronic music, but it’s not. It doesn’t sound like jazz or rock, but it is.
Yellow Dubmarine pays tribute to the greatest Beatles songs of all time, performing the music from the "1" album in a tightly rehearsed reggae style. The album features every number-one single released by The Beatles in the United Kingdom and United States from 1962 to 1970. Issued on the 30th anniversary of the band's break-up, "1" was the world's best-selling album of the 21st century, selling over 31 million copies. Devoted to paying tribute to The Beatles, Yellow Dub has toured hard, covering 44 states already. They've been touring in support of their first recorded effort, a dubbed out interpretation of the iconic album, Abbey Road, entitled, "Abbey Dub." Now, they are playing the music of Revolver, crowds of young and old are flocking to experience Yellow Dubmarine's imaginative and irie vibes. Between the Beatles classics, slinky reggae grooves, and skanky horns, every show is sure to be a punky reggae party.
North Carolina bred, Brooklyn based singer/multi-instrumentalist Becca Stevens is a composer, educator, and leader of the Becca Stevens Band. Her original music is hailed worldwide for its its intricate harmonies and rhythms subtly rooted in Jazz, Irish/Appalachian Folk, indie pop, and West African music.
Boundless in the elements from which she draws her inspiration, Stevens is known for her unique ability to craft exquisite and authentic compositions both for her own band, and for GRAMMY award winning artists who run the gamut of genre from Jacob Collier, to Michael League (Snarky Puppy), and most notably with folk legend David Crosby. Stevens is a member of Crosby’s Lighthouse Band whose album Here If You Listen (BMG ’18), features the distinct songwriting of its four members—Stevens, Crosby, League, and Michelle Willis.
Stevens has received copious praise from the likes of The New York Times, was Downbeat Magazine’s 2017 Rising Star Female Vocalist, and was featured on NPR Music’s “Songs We Love”. She has toured the world performing with her band, and collaborating with peers such as Brad Mehldau, Kneebody, Esperanza Spalding, Billy Childs, Ambrose Akinmusire, Vijay Iyer, Taylor Eigsti, José James, Eric Harland, Gerald Clayton, Travis Sullivan’s Björkestra and many others, and was a featured composer/performer on Snarky Puppy’s Family Dinner, Vol. 2 (GroundUP).
In 2015, Perfect Animal, the highly anticipated follow up to Weightless (Sunnyside), produced by engineer Scott Solter, was released on Universal Music Classics. Becca released her latest album Regina (GroundUP) in March 2017 featuring Laura Mvula, Jacob Collier, David Crosby, produced by Troy Miller (Gregory Porter, Laura Mvula, Amy Winehouse) and co-produced by Jacob Collier, and Michael League. Regina is a tribute to queens as well as the name of her self-made muse who inspired all of the compositions on the album.
West Philly Orchestra
With a line-up of Philadelphia musicians whose influences range from Sun Ra to Bulgarian brass bands, West Philadelphia Orchestra is a unique live ensemble in today’s auto-tuned musical world. They began playing Romanian ballads, Macedonian folk-dance songs, Bulgarian wedding music, and Klezmer in late 2006, and have continued expanding their repertoire of Eastern European music. The band also plays original tunes which blend other sounds, like jazz and classical, together with traditional Balkan sounds. As much a community as a band, WPO’s performances are celebratory events. With blistering beats and walls of brass, they inspire audiences to hold hands, gyrate, howl, and otherwise slip the yoke of the homogenized culture industry.
People's Blues of Richmond
People’s Blues of Richmond (or PBR as they are affectionately referred to by their fans) is one of those rare three-pieces that somehow conjures the sonic power and visual intensity of a thunderstorm. Think Jimi Hendrix Experience meets MC5. They take psychedelic blues rock to a different level with a lyrical element seldom found in the genre. Think Bob Dylan writing lyrics for Black Sabbath songs. It’s hard to imagine until it’s right in your face. Then it’s hard to forget.
Their 2016 12-song release “Quit or Die” showcased a travel-hardened band at a crossroads. With drugs taking their inevitable toll on three young men on an endless search for a good time, this trio had a choice to make and “Quit or Die” is a declaration of their purpose as artists above all else. They received praise from Relix, Paste, Guitar World, AfroPunk, and many others as 3/4 of the album was released as critically acclaimed singles and the tour schedule filled up quickly.
In the two years since, they’ve found themselves opening for Gregg Allman, ZZ Top, Nathaniel Rateliff & The Night Sweats, The Revivalists, and Papadosio and playing venues like Red Rocks, 3 sets at Electric Forest, 2 appearances at Lockn, The Brooklyn Bowl, The National, and The Norva.
Before “Quit or Die”, PBR had a cult following built around their album “Good Time Suicide”. It was a big, dark, manic sounding album full of in-your-face riffs and gut-wrenching song writing. It was followed shortly thereafter by the trio heading to Valdosta, GA to meet and record with Mark Neill (who recorded one of their favorite albums, ‘Brothers’ by The Black Keys). They did two songs with Mark and learned a lot about recording that they put to use when they returned home to Richmond to record ‘Quit or Die’.
They are currently working on their next album release and touring constantly so keep an eye and an ear out for when the storm rolls through and don’t miss the wildest show on wheels when it comes to your town!
Years in the making, gnarbot is a project that draws from a broad sonic palette to create a unique blend of sounds inspired by modern artists like Animals as Leaders, The Donny McCaslin Quartet, and Flying Lotus as well as classics like The Mahavishnu Orchestra, Herbie Hancock, and King Crimson. Still in their 20's, members of the band have attained great experience in the music world: tours with Jon Anderson of Yes and John Wetton of King Crimson/UK, bills shared with Parliament Funkadelic, Lettuce, Project Object, Papadosio, Squarepusher and Mark Guiliana, and endorsements by major companies such as Meinl Cymbals and DigiTech. As a new band on the scene, gnarbot endeavors to push boundaries, turn heads, and offer a fresh and energetic musical perspective.
Trap Rabbit is an alt-jazz keys/drums duo based out of Philadelphia. Together since 2015, Arjun Dube (drums) and Logan Roth (keys) have created a unique and powerful sound combining hard hitting hip-hop grooves, intricate songwriting, and captivating musical chemistry.
Channeling the casually suave voicing and insatiable funky combinations of Bowie/Byrne, the band sits in a happy medium of loose, undeniably danceable compositions. Those delightful, demanding grooves, steered by crowd-commanding, eye-connecting vocals, set the wheels in motion.
PanSong is made up of four musicians from the Philadelphia/South Jersey music scene. After an uplifting impromptu jam at a local festival, they each felt compelled to continue meeting to write music and explore a new sound. With a deep appreciation for the beauty and tranquility of the Handpan, these players create genre bending compositions while holding space for the holy resonance of this new hand played steel pan instrument.
Zachademy of Music
An ever evolving group of talented and inspiring youngans who partake in writing, rehearsing, performing and speaking through music.
Edenspore is a multifaceted project combining the creative passions of Robyn Mello. While permaculture design, musical performance, visual art, herbal medicine, and self-sufficiency education may seem like too broad a reach to many, Robyn sees each of these passions as mutually reinforcing and has been building each skill separately for several years. Besides, do you know anyone who's truly one-dimensional?
Robyn is a practical dreamer who receives most of her guidance from The Earth. She began landscape design by starting a dozen community gardens and food forests on vacant land in Philadelphia with Philly Food Forests in 2010, started an off-grid organic farm in Bucks County in 2013, and has worked with non-profit Philadelphia Orchard Project designing and educating around community orchards since 2014. She began writing and performing original music in 2011 and has been lead singer of earth-worshipping world folk band, The Radicans, since 2013. She began teaching permaculture-based workshops in 2011, and has been Education and Vending Curator for South Jersey's music, art, and self-sufficiency festival, Beardfest since 2015. Additionally, she began honing her skills as a mycologist in 2014 with Philadelphia's only mushroom farm, Mycopolitan Mushroom Company.
Robyn’s musical performances have been very well-received because the lyrical themes and power of her voice are refreshingly unique and often described as "entrancing". Her songs stir people with dreamy music and usher them through their days with calls to action to listen deeply to the earth and each other. Moreover, the messages inherent in her songs and workshops continue to gain relevance as sociopolitical events continue to unfold.
Due to her professional and spiritual connections to the earth, Robyn has developed a special ability to call in the essence of the place in which she performs, channeling the sacred energy of a forest or the guttural language of a city through her bare feet as she weaves story and song from multiple influences.
Robyn prefers to engage more deeply with audience members before or after performances through leading workshops. Some that she has taught in Philly and at regional festivals include: Plant and mushroom identification walks. The Safety, Spirituality, and Ethics of Foraging, Introduction to Permaculture Design Principles and Ethics, Introductory Food Forest Design, Introductory Veggie Garden Design, Mushroom Medicine: The Missing Link in Holistic Health, Gentle Yet Powerful Herbal Medicines for Beginners, and Food As Medicine: Incorporating whole foods and herbs into everyday meals.
Additionally, Robyn creates healing jewelry from stones and natural objects, makes herbal medicine from plants and mushrooms she grows and forages, and uses her skills as a permaculture designer to consult with and provide regenerative visions for the landscapes of various residential clients.
Audience members have compared Edenspore music to Jeff Buckley, Radiohead, Hiatus Kaiyote, Joan Baez, Joni Mitchell, Joanna Newsom, and more. However, far more frequently, listeners comment emphatically about the unique, refreshing, and entrancing quality of Robyn’s voice, lyrics, message, and melodies.
“...Like a true witch, Robyn gives the bolder, more magical reality her all, transporting an audience there for the duration of a set and however long her voice echoes after.
“Her songs talk of joy, darkness, growth and revolution in the sense of reconnection - with cycles of sun and soil, and the roots of the oldest trees. Her vocal range is incredible - maintaining pure power from the grittiest growl to soaringest trill, like she's channeling wilderness itself. Several themes run through her work: celebrating the strong, creative feminine in The Descendants and Bogwitch; dreaming and communing with spirits in Aim For The Night and Stumped; opening toward healing love, both personal and world-changing, in Moon Bath and The Antidote; having something worth dying for in Hard Shell Progression.
“Over the past four years I've gone to all of Robyn's shows that I can because I want to live in the vision that seems to guide her. These days, all institutions seem to be in flux, the ground under our feet crumbling, a scary time of uncertainty. Robyn sees it and lives there too, then does the artist's alchemy to embody something simultaneously new and timeless instead. With her newest incarnation Edenspore, from music to mushroom potions and more, she continues to front-run the future and unseat the creeping dread.
“She builds a table and then puts it all out there -- hope, fear, shadow, light, loss, love -- and it gives me hope that no matter the travails we face, all will have a place, should we choose to partake and fight together.”
--Marlon MacAllister, author of Meld Resistance
The music of Grimace Federation reaching the ears of the masses was never a forethought in its creation. Founded on a self-gratifying need to shift sound with friends, vast musical influences and jam sessions that had no boundaries, the ever-evolving Philly unit has always been armed with an arsenal of multi-layered, hallucinogenic beats. Their sonic collages create a symphonic, cinematic, and immense sound. With all their complexities, no words are needed to stir emotions, like a Robert Rauschenberg painting, a scene from a Jodorowsky film, or a drive down Mulholland with David Lynch.
First assembled from spare parts lying around an unmarked U.S. Army motor pool, Dylan Hepner has engaged in musical resistance and guerilla compostion resulting in tactical procedures on several stringed style instruments supported by Rock and Bluegrass, but flanked by Funk and Rap. Be advised, His unique passion and cunning application of various genres provides a worthy adversary in the modern battlefield, leading his rebellion of love and compassion to a new front within the local civilian population. Considered to be armed and groovy
Pushing the limits of both genre and musicality, Brooklyn’s Cousin Earth delivers catchy tunes with a progressive spirit. Featuring both an original repertoire and a vast array of covers, the band delivers a wide tonal palette that has as much a sense of humor as it does a sense of purpose.
From shredding ukulele solos and 4-part vocal breakdowns to interweaving themed medleys, Cousin Earth is sure to catch the attention of any music lover. Presenting a multitude of styles including Rock, Funk, Ragtime, Latin, Bluegrass, Hip Hop, and even electronica, no musical style is off-limits for this otherworldly live act.
Katie Martucci (guitar, vocals and fiddle), Caroline Kuhn (tenor banjo and vocals) and Lucia Purpura-Pontoniere (fiddle and vocals) met this past fall at the New England Conservatory of Music’s Contemporary Improvisation program. After discovering their shared love of harmony (and knitting) they decided to form a band. All three are songwriters and performers in their own right, but together they create a unique sound influenced by their backgrounds in traditional folk, jazz, Motown, and choral music. Their songs feature a combination of rich harmony, traditional acoustic instrumentation and distinctive arrangements. Recently featured in the Boston Folk Song Society’s Youth Traditional Song & Tune Showcase, The Ladles are excited to develop a presence in the Boston folk scene.
Headed by Snarky Puppy’s multi-Grammy–winning percussion duo of Robert “Sput” Searight and Nate Werth, Ghost-Note is an explosion of sound. With an expansive roster of next-level musicians—representing members of Prince, Snoop Dogg, Erykah Badu, Herbie Hancock, Kendrick Lamar, Marcus Miller, Toto, Justin Timberlake, and more—the band is pushing funk music into the future, building on the uplifting, pioneering foundations laid out by the likes of James Brown and Sly & The Family Stone and infusing their fresh take with tastes of afrobeat, hip-hop, psychedelia, world folklore, and more.
Earthy and sultry with guitar-driven, soulful grooves. Echoes of R&B, funk, and blues.
After 20 years of world touring, five solo albums, and stunning collaborations including over 80 albums of credits, Tim Motzer continues to “traverse manifold territories in music (Guitar Player magazine).” Tim is widely known for his distinct textural acoustic-electro guitar voice utilizing looping, bowing, electronics, and prepared techniques. From 2016-18, Tim toured the world playing prestigious venues and jazz festivals with Bandit65, an improvising trio he co-leads with guitarist Kurt Rosenwinkel and drummer Gintas Janusonis. He has also collaborated with numerous musical luminaries including David Sylvian, Burnt Friedman, Jaki Liebezeit, poet Ursula Rucker, King Britt, Jamaaladeen Tacuma, Vernon Reid, David Torn, Markus Reuter, and Pat Mastelotto, among others. Tim‘s work has appeared in the hit HBO series True Blood as well a major motion picture directed by Michael Mann. As an in-demand, solo live composer/improviser in the world of modern dance, Tim most recently playing to sold-out houses in Tokyo, Japan; Seoul, South Korea; Oujda, Morocco; Philadelphia, PA; and Toronto, Canada. For nearly a decade, he has served as a live accompanist for master choreographers at the University of the Arts in Philadelphia. Tim brings his dynamic, eclectic array of musical projects together under his own 1k Recordings imprint, which has over 40 releases and counting.
Rachel Andie is a Japanese American multi-instrumentalist and songwriter from Philadelphia, PA. Her solo project consists of looping guitar, layering vocals, and tap dancing as percussion. Her debut album "The Common Calamity" was independently released in August of 2016 with her backing band, We The People, at the age of 19. In January of 2018, she formed a six piece band, Rachel Andie & The Fifth Element, which is an alternative ambient folk group consisting of local musicians and educators in Philadelphia. The Fifth Element is comprised of Rachel Andie on guitar and vocals, Mark Nestman on bass guitar, Drew Gerace on drums, Mariah Del Rio on vocals, Jay Rosen on pedal steel guitar, and Logan Roth on keys. Through a successful Kickstarter campaign, they were able to record their first live studio album titled "Tu Me Manques" which was released on December 1st, 2018 and is now available online. The record will be accompanied by a full length visual album produced by Skyler Jenkins Films which will be released in 2019. Album artwork created by James Matusheski.
Lady Moon & the Eclipse
Lady Moon & The Eclipse is a multicultural ensemble based in New York. Through soaring vocal textures and R&B/afrobeat-influenced rhythms, they create inspirational music that explore the cosmic soul; a journey to become one's best self. Lady Moon carries the essence of the Moon, delivering a message of love, peace, and light, while the musicians serve as the Sun shining light upon her. The audience represents the Earth, also known as the Star People of Earth, completing the metaphorical eclipse. With a marked emphasis on inclusivity and spiritual unity, Lady Moon & The Eclipse explore positive music through the live experience to grow and make a difference in themselves and in the world.
Lady Moon & The Eclipse released their debut EP, "Believe" available now on CD and online, and are currently recording their full length album "Journey to the Cosmic Soul"